Tamil Language History

நன்றி:www.worldlanguage.com

Tamil language has the special claim of being at once classical like Sanskrit, Greek or Latin, and vigorous and modern like the modern Indian languages. Its history can be traced back to the age of Tolkappiyam the earliest extant Tamil grammar generally to 500 B.C. Among the Dravidian language it is least influenced be 'sanskrit' though there is a certain degree of influence.

The earliest extant literature of the Tamils is called Sangam literature and it is dated between 500 BC. and 200 A.D. Though a considerable part of the early poetry has been lost, some of the bards and patrons decided to preserve apart of it in certain anthologies (about 4th century A.D.). These are the Ten Idylls (Pattuppattu) and the Eight Anthologies (Ettuttohai). Four hundred and seventy three poets, of whom thirty are women, have been identified. These are mainly classified into two. Akam or esoteric dealing with love and Puram or exoteric dealing with war.

In this period, Tamil literature was considerably bound by literary conventions. The poets were keen on keeping up the tradition. The land was treated as five regions viz. mountains, forests, fields, coasts and deserts and the theme of love in five aspects viz. union, patience, sulking, wailing and separation. The poet dealing with a certain aspect of love restricted himself to a particular region, season, hour, flora and fauna. These literary conventions are explained in Tolkappiyam.

Purananuru is 400 verses on Puram themes. It serves as a window on the Tamil people 2000 years ago. Agananuru is 400 poems on love themes. The length of these poems varies from 13 to 37 lines. There are other collections like Natrinai, Kuruntogai, Ain-kurunuru, Paripadal, etc., which are quite well known.

Tiruvalluvar's Tirukkural is acclaimed to be the greatest Tamil classic. It expresses the most profound thoughts on the many problems of life. Each verse is a couplet composed with great economy of words. The book is divided into 133 chapters each containing 10 verses. The chapters are arranged in three books dealing with virtue, wealth and pleasure.

Round about the 3rd century A.D., Tamil produced two epics Silappadhikaram and Manimekhalai which are considered twin epics like the Ramayana and Mahabharata. The author of Silappadhikaram was the son of a Chera King liango Adikal. The title means the "Story of the Anklet" and the epic describes the moving story of Kannagi.

Manimekhalai is the daughter of Madhavi and Kovalan, the hero of Silappadhikaram. Kamba Ramayanam is an immortal classic in Tamil. Though Kambar based his work on the Sanskrit Ramayana of Valmiki, his rendering shows that he was a supreme artist. It is different in plot, in construction and in the delineation of character. Kambaramayanam runs to 10,368 verses.

Tamil is rich in devotional literature Nayanmars are the exponents of Saivaism and Alwars that of Vaishnavism. Thiru gnanasambandar, Thirunavukkarasar, Sundarar and Manikkavacakar are the four great Nayanmars. The great Alwars are 12 in number. Kulasekhara Alwar and Andal are specially remembered. There are 5 major kaviyams and 5 minor kaviyams in Tamil. Jain and Buddhist works are in abundance in the language.

Coming to the period between 13th & 18th centuries, we notice Muslim and Christian impact on Tamil literature. Umaruppulavar has composed a long poem of 5000 verses on the life of prophet Muhammed. The Christian influence began with the Portuguese and continued with the Danes, the Dutch, the French and the British. Beschi, Caldwell, Winslow and Pope have made significant contributions to Tamil. The Italian priest Beschi (1680-1747) composed the magnificent poetical work Tembavani (The Insatiable Beauty) on the life of St. Joseph. Vedanayagam Pillai and Krishna Pillai are two other Christian poets.

Twentieth century has produced many talented men of letters in various fields, Poetry, Prose, Drama, Novel, Biography, Short Story etc. Dr. Swaminatha Iyer unearthed many literary works and edited them. Swami Vadachalam, Thiru V. Kalyanasundera Mudaliar and V. O. Chidambaram Pillai are great writers of the modern period. However, the greatest poet of modern Tamil is Subramania Bharati whose patriotic poems have inspired thousands of readers in his time. Personal freedom, national liberty and the fundamental equality of all men find eloquent expression in his verses. In some of his poems like Kuyilpattu (Song of the Cuckoo) Kannanpattu (Poems on Lord Krishna) or Panchali Sapatham (The Vow of Panchali) we notice a religious perception at work.

Rajam Ayyar, Madhavayya, Pudumaipithan, Kupa, Rajagopalan and Kalki Krishnamoorthi have contributed much to the field of Tamil fiction. These writers along with Bharati ushered in the new epoch of renaissance in Tamil literature.

In the post-Independence period several writers have come to the fore. Among poets, the names of Kulothungan, Ka-Na Subramanyam and C. S. Chellappa may be mentioned. And in fiction the outstanding names are Akilan, jayakanthan, Neela Padmanabhan, Sundararamaswamy, Ashokamitran and Indira Parthasarathy.

Tamil a Classical Language - By George L. Hart

நன்றி: University of California, Berkeley

April 11, 2000

Statement on the Status of Tamil as a Classical Language

Professor Maraimalai has asked me to write regarding the position of Tamil as a classical language, and I am delighted to respond to his request.

I have been a Professor of Tamil at the University of California, Berkeley, since 1975 and am currently holder of the Tamil Chair at that institution. My degree, which I received in 1970, is in Sanskrit, from Harvard, and my first employment was as a Sanskrit professor at the University of Wisconsin, Madison, in 1969. Besides Tamil and Sanskrit, I know the classical languages of Latin and Greek and have read extensively in their literatures in the original. I am also well-acquainted with comparative linguistics and the literatures of modern Europe (I know Russian, German, and French and have read extensively in those languages) as well as the literatures of modern India, which, with the exception of Tamil and some Malayalam, I have read in translation. I have spent much time discussing Telugu literature and its tradition with V. Narayanarao, one of the greatest living Telugu scholars, and so I know that tradition especially well. As a long-standing member of a South Asian Studies department, I have also been exposed to the richness of both Hindi literature, and I have read in detail about Mahadevi Varma, Tulsi, and Kabir.

I have spent many years -- most of my life (since 1963) -- studying Sanskrit. I have read in the original all of Kalidasa, Magha, and parts of Bharavi and Sri Harsa. I have also read in the original the fifth book of the Rig Veda as well as many other sections, many of the Upanisads, most of the Mahabharata, the Kathasaritsagara, Adi Sankara’s works, and many other works in Sanskrit.

I say this not because I wish to show my erudition, but rather to establish my fitness for judging whether a literature is classical. Let me state unequivocally that, by any criteria one may choose, Tamil is one of the great classical literatures and traditions of the world.

The reasons for this are many; let me consider them one by one.

First, Tamil is of considerable antiquity. It predates the literatures of other modern Indian languages by more than a thousand years. Its oldest work, the Tolkappiyam,, contains parts that, judging from the earliest Tamil inscriptions, date back to about 200 BCE. The greatest works of ancient Tamil, the Sangam anthologies and the Pattuppattu, date to the first two centuries of the current era. They are the first great secular body of poetry written in India, predating Kalidasa's works by two hundred years.

Second, Tamil constitutes the only literary tradition indigenous to India that is not derived from Sanskrit. Indeed, its literature arose before the influence of Sanskrit in the South became strong and so is qualitatively different from anything we have in Sanskrit or other Indian languages. It has its own poetic theory, its own grammatical tradition, its own esthetics, and, above all, a large body of literature that is quite unique. It shows a sort of Indian sensibility that is quite different from anything in Sanskrit or other Indian languages, and it contains its own extremely rich and vast intellectual tradition.

Third, the quality of classical Tamil literature is such that it is fit to stand beside the great literatures of Sanskrit, Greek, Latin, Chinese, Persian and Arabic. The subtlety and profundity of its works, their varied scope (Tamil is the only premodern Indian literature to treat the subaltern extensively), and their universality qualify Tamil to stand as one of the great classical traditions and literatures of the world. Everyone knows the Tirukkural, one of the world's greatest works on ethics; but this is merely one of a myriad of major and extremely varied works that comprise the Tamil classical tradition. There is not a facet of human existence that is not explored and illuminated by this great literature.

Finally, Tamil is one of the primary independent sources of modern Indian culture and tradition. I have written extensively on the influence of a Southern tradition on the Sanskrit poetic tradition. But equally important, the great sacred works of Tamil Hinduism, beginning with the Sangam Anthologies, have undergirded the development of modern Hinduism. Their ideas were taken into the Bhagavata Purana and other texts (in Telugu and Kannada as well as Sanskrit), whence they spread all over India. Tamil has its own works that are considered to be as sacred as the Vedas and that are recited alongside Vedic mantras in the great Vaisnava temples of South India (such as Tirupati). And just as Sanskrit is the source of the modern Indo-Aryan languages, classical Tamil is the source language of modern Tamil and Malayalam. As Sanskrit is the most conservative and least changed of the Indo-Aryan languages, Tamil is the most conservative of the Dravidian languages, the touchstone that linguists must consult to understand the nature and development of Dravidian.

In trying to discern why Tamil has not been recognized as a classical language, I can see only a political reason: there is a fear that if Tamil is selected as a classical language, other Indian languages may claim similar status. This is an unnecessary worry. I am well aware of the richness of the modern Indian languages -- I know that they are among the most fecund and productive languages on earth, each having begotten a modern (and often medieval) literature that can stand with any of the major literatures of the world. Yet none of them is a classical language. Like English and the other modern languages of Europe (with the exception of Greek), they rose on preexisting traditions rather late and developed in the second millennium. The fact that Greek is universally recognized as a classical language in Europe does not lead the French or the English to claim classical status for their languages.

To qualify as a classical tradition, a language must fit several criteria: it should be ancient, it should be an independent tradition that arose mostly on its own not as an offshoot of another tradition, and it must have a large and extremely rich body of ancient literature. Unlike the other modern languages of India, Tamil meets each of these requirements. It is extremely old (as old as Latin and older than Arabic); it arose as an entirely independent tradition, with almost no influence from Sanskrit or other languages; and its ancient literature is indescribably vast and rich.

It seems strange to me that I should have to write an essay such as this claiming that Tamil is a classical literature -- it is akin to claiming that India is a great country or Hinduism is one of the world's great religions. The status of Tamil as one of the great classical languages of the world is something that is patently obvious to anyone who knows the subject. To deny that Tamil is a classical language is to deny a vital and central part of the greatness and richness of Indian culture.


(Signed:)
George L. Hart
Professor of Tamil
Chair in Tamil Studies